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Los Muertos — TABLEAU for Ryan House

A Día de los Muertos fantasy table for the IFDA TABLEAU benefit — nearly every element made by hand — with proceeds from ticketed seats going to Ryan House, a children's respite and palliative-care home.

A Día de los Muertos banquet table with a tall marigold centerpiece, sugar skulls, and colorful papel picado place settings
Location
Scottsdale, Arizona
Project type
Experiential installation — IFDA TABLEAU benefit for Ryan House
Scope
A Día de los Muertos fantasy table for the IFDA TABLEAU benefit — nearly every element made by hand — with proceeds from ticketed seats going to Ryan House, a children's respite and palliative-care home.

The challenge

Designers were given free rein to build a fantasy dining environment for the charity night. I chose a celebration rooted in my own Mexican-American heritage — a table that could carry cultural pride, while still out-charming twenty other tables across the ballroom and rewarding inspection down to the flatware.

The approach

Rather than buy themed décor, I made nearly all of it: hand-iced sugar skulls at every place, sewn textiles, individually colored place settings over a unifying black ground, repurposed skeleton figures, and a marigold centerpiece built around a Spanish glass candlestick — substantial enough to command the long table without overwhelming it. Only the plates, flatware and glassware were bought. Everything was researched from the traditions and symbolism of Día de los Muertos, prototyped as a studio mock-up first, then installed on site in about a four-hour window with my husband and daughter.

What it became

The whole table came together for about $500 — fabricated, repurposed and researched rather than bought — while other designers spent thousands. It's the extreme version of a rule that runs through all my work: a budget doesn't decide whether design is good; how intelligently it's used does.

The towering marigold centerpiece above a sugar-skull place setting on a lavender plate
The centerpiece — marigold and magenta on a glass pedestal.
A single place setting with a hand-made sugar skull, clear plate, ornate flatware, and a yellow papel picado runner
Every place, set down to the flatware.
The tablescape across the round table, with a second decorated table beyond in the dim ballroom
The full table set up at home before the event — the same composition, staged in a living room to work out proportion, color and centerpiece scale
Studio mock-up prior to installation — the experience was prototyped, not improvised at the venue.

Attention to detail

  • Hand-iced sugar skulls at every place setting
  • Sewn textile elements and individually colored place settings
  • Repurposed skeleton figures
  • A marigold centerpiece built around a Spanish glass candlestick